This recent New York Times story illustrates how the Slow movement (i.e. Slow Food, Slow Cities and the rest) is parallelling the Futurist movement to an uncanny degree. Both originated in Italy, for starters, but even beyond that, both movements seem to originate from a sane premise that then spins off into slightly less-sane pursuits. 100 years ago, the most avant-garde artists -- the Futurists -- were embracing many of the things the Slow movement is now setting itself against. While Futurism is most closely associated with visual art, architecture and -- unfortunately -- Fascism, the Futurists were interested in influencing all aspects of human life, beyond the aesthetic. Consider this 1931 Time Magazine article about Futurist food and compare it with this description of Slow Food International: "an international organization whose aim is to protect the pleasures of the table from homogenization of modern fast food and life." Though one movement began in an effort to
Musings on time, clocks, technology, efficiency and speed.